But as the storm rages, the house becomes the antagonist again and seems to act against them. This theme is a universal one which everyone can relate to however, it is also a difficult one to capture within a short story. For example, Usher's house, its windows, bricks, and dungeon are all used to make a dismal atmosphere. As the narrator and Roderick look out the window at the strange scene—a misty, thickly overcast landscape eerily illuminated by an unseen source—, the narrator personifies the weather. A story containing these attributes can result in a very frightening or morbid read. Fear is a human characteristic that everyone must struggle with.
Usher describes Madeleine coming up the stairs, the sound of her heart, and then, in an absolute frenzy of terror, he cries that she is standing outside the door. In this story, the house itself is presented as more than a character, although it acts as one. As the narrator reads these words, he imagines he hears an echo from somewhere in the mansion that fits perfectly with the sound described. The panes were scarlet—a deep blood color. Each vision that the narrator passes on the way to see Usher creates a recurring sensation of dread. The narrator tells Roderick that the gas is a natural phenomenon, not altogether uncommon. The amount of description the narrator uses to describe Roderick Usher is similar to that which he used to describe the House.
Violent or macabre incidents are often used in American Gothic Literature to present imposing, though quite unsettling, portraits of the human experience by way of terror. What was it—I paused to think—what was it that so unnerved me in the contemplation of the House of Usher? In fact, it is a bit of a joke to call this book one of their favorites, but the narrator hopes it will be different enough from his spiritual fantasies to distract him — he thinks right. Said I not that my senses were acute? There were sharp pains and sudden dizziness, and then profits bleeding at the pores, with dissolution. Through his Gothic romantic style of writing, Poe includes elements such as a dark atmosphere, a mysterious setting, and symbolic characters in order to highlight the power and effect of fear on one's life. A house that he can never escape, a house that he does not wish to escape. Poe brilliantly uses color to achieve the desired mood. Imagination is a dangerous thing in this house, and it is not yet clear at this point how much of this atmosphere is imagined and how much is real.
The peasantry confuses the mansion with the family because the physical structure has effectively dictated the genetic patterns of the family. From a distance, no one knows that the House of Usher is in despair. The narrator remembers them being close friends in their childhood but that Usher always had a reserved temperament. He has received an urgent letter from the owner, Roderick Usher, who is suffering from a nervous illness and desires the narrator's company urgently. The strength of her connection to her twin brother manifests fully in the climax of the story. It is important to have the human element in any giving situation so the reader has someone to empathize within the story.
Usher thinks the stones of the house and the water of the tarn contain a remainder of his ancestors and senses a destructive atmosphere in the house. The theme of identity is clearly stated right at the beginning of the short story. The narrator thinks it must be his increased concentration because of his illness that allows him to play such fantasias. We call them the most remarkable boyish poems that we have ever read. An air of distemper and supernatural energy controls his artistic spirit.
We have put her living in the tomb! This is done with words such as 'black', 'lurid', 'decayed', and 'vacant'. The narrator observes that the house seems to have absorbed an evil and diseased atmosphere from the decaying trees and murky ponds around it. Madeline soon dies, and Roderick decides to bury her temporarily in the tombs below the house. The short story is complexly written, with challenging themes such as identity and fear. Even the narrator, who is not part of the Usher family, felt a change in him as he approached the house and felt its gruesome atmosphere affect his mood.
There is only a small crack from the roof to the ground in the front of the building. But Usher also explains that his symptoms can be attributed to a more comprehensible cause, the long term illness of his beloved sister, his only remaining relative and companion. These echoes signify the powerful echoes of history and lineage, as can be seen in the role of the stories and poems within the story which serve to foreshadow the plot. In an intriguing inversion of the hero myth, the figure who is usually the prize—the cave-trapped maiden—is flipped into the hero, whose journey is an autonomous self-liberation from the bonds of death and entombment. The narrator is on a journey to the home of his old friend Roderick Usher who sends word that he is feeling ill. He lures Fortunato into his basement in order for Fortunato to examine a rare wine called an Amontillado. The use of violent scenes expresses human nature through horror.
Through his Gothic romantic style of writing, Poe includes elements such as a dark atmosphere, a mysterious setting, and symbolic characters in order to highlight the power and effect of fear on one's life. He feels this way especially one night about a week after they have entombed Madeleine, when he goes to bed and cannot sleep. Gothic conventions such as the gothic setting, death and the supernatural will slowly bring fear upon his characters. Colonial Press Company, Publishers, 1856. A story written in the American Gothic style takes place in an outlandish, dismal location, usually to build a feeling of discomfort in the reader.
There are three major points in which the story and the movie differ. This delusion fades away only when the building finally collapses putting the end to the madness of the past events. The scarlet stains upon the body and especially upon the face of the victim, were the pest ban which shut him out from the aid and from the sympathy of his fellow men. It was during this time that Edgar Allan Poe developed great gambling debt. The narrator continues by describing the bridge over the tarn.